This week Paula encourages us to consider the differences between taking a landscape or portrait format. What factors make you decide which way to go? Is it the lens on your camera that forces you into a particular format, or are you making a more conscious decision about what it is you want to portray and what is the best way to do that?
These two images are of the haunting bronze sculpture that I have featured before in black and white. The close-up landscape version(s) were deliberate compositions to focus on the detail of the women and children as they wait for their husbands and fathers to return from sea.The decision to take a portrait shot was based purely on the desire to capture the entire sculpture and show exactly how small these figures actually are.
I tend to take most of my photos in the landscape mode unless I am photographing something particularly tall like a building or a tree. Of course with editing software it is easy to change any photo into any size afterwards, so it is not always necessary to make the decision at the point of clicking the shutter. I think the most important decision you should make when taking that shot is whether you have thought about what it is you are trying to capture and have you considered carefully that this is the best composition. That helps you take a great shot rather than several mediocre ones when you simply ‘hope for the best’.
I am interested to hear your thoughts.
An imperfect photo? Surely not However the subject of this image was seriously flawed.
Thursday September 15th 2016: We deliberately meandered along the foggy shores of the Firth of Forth on our way to Edinburgh with the purpose of stopping in North Berwick and having seafood chowder or lobster bisque for lunch from the well-known Lobster Shack.
Mouths watering in anticipation we made our damp way to the harbour and then saw that the shutters were down. Gutted! Closed except for weekends.
Please visit Paula to see other representations of this week’s challenge.
The Queen’s View in Highland Perthshire overlooks Loch Tummel. Queen Victoria is said to have remarked that the spectacular view was named after her, when she visited the area in 1866. However, it has also been suggested that the view was in fact named after King Robert the Bruce’s wife, Isabella, over 550 years earlier. Although she never actually became queen as she died in 1296 ten years before Bruce was crowned king. She was just 19 years old.
Whichever version you prefer, the view is stunning.
Black and White Sunday
Paula’s black and white Sunday this week is ‘Traces of the Past’.
This bronze by Jill Watson was commissioned by the people of Berwickshire to commemorate the women and children left by the East Coast Fishing Disaster of 1881.
The small bronze figures are the wives and children of Charles Purves, James and William Thorburn, three men lost at sea in 1881 from the fishing village of St Abbs. In total 189 men from the east coast of Scotland perished on that fateful day.