Arabesque Ribeiro da Cunha Palace @ No 26 Rua dom Pedro V
dating from 1877, now housing a university department. This once beautiful building, now somewhat dilapidated, is close to the Parque Príncipe (Prince) Real, near Bairro Alto which is a wonderful park though a little tired at the time of my visit in 2012, as indeed much of Lisbon was.
To everything – turn, turn, turn
There is a season – turn, turn, turn
And a time to every purpose under heaven
Lots of ways to interpret this week’s photo challenge, but my immediate thoughts were of the Byrd’s song which was a hit in the 1965. Written by Pete Seeger in the late 1950s the words are taken from the bible (Ecclesiastes). The lines are open to myriad interpretations, but as a song they are commonly performed as a plea for world peace, with an emphasis on the closing line:
“a time for peace, I swear it’s not too late.”
In view of what is happening in the world today, I thought that this was an appropriate response, though I hasten to add that I am not in any way religious, despite being drawn to religious buildings and ancient churchyards like this pretty little chapel on the outskirts of Cascais, Portugal.
A city where it is impossible not to look at what is beneath your feet is Lisbon, Portugal. The endless intricate patterns of the cream and black cobbles automatically draw your eyes down. Known as calçada (Portuguese Pavements) some, like the wave pattern above and below in Praca Dom Pedro IV Square (Rossio), can even interfere with your balance and make people look as though they are floating above the pavement.
Arch to Praca do Comércio
Belem Wave pattern
Belem Astrological Sign – Gemini
In Belém coloured marble is used with the flat cobbles to create patterns and pictures including a map of the world depicting the voyages that Portuguese explorers made during the Age of Discovery.
Azulejo is a form of Portuguese or Spanish painted, tin-glazed, ceramic tilework. There are some exquisite examples of these on the exterior of houses and other buildings in Lisbon. But sadly there are many broken tiles to be seen.